Symphonic choirs setup

As previously mentioned, the first thing I had to throw out was the concept of plug-and-play. Once the application is installed, the similarity to other sample libraries ends.

In order to really take advantage of this app, a second application is used, namely WordBuilder. WordBuilder is the application that allows the user to specify what text is to be sung, as well as the duration and dynamics of the piece. For those who may not grab the concept, it is easiest to think of WordBuilder as an intermediary app — it sits between your input device usually a MIDI keyboard controller, sequencing or scoring app and the Choirs Kompakt player.

After plowing through the first few WordBuilder chapters, I decided it was time to get Choirs setup with Logic Pro, my sequencer of choice, so I could really put it to the test.

The manual for Choirs goes into detail describing the possible configurations, depending on what operating system and sequencing or scoring application you wish to use. MIDI loopback connections are required for most of these configurations. This is the most powerful vocals solution available. Get Symphonic Choirs and all 70 collections that include over 42, Instruments at a low monthly fee with Composer Cloud.

Symphonic Choirs puts five complete choir sections at your fingertips. The SATB and Boys sections are all compatible with WordBuilder, described at right, and give you the ability to have your choir sing the words you type. When used in WordBuilder, these sections have four articulations: sustained, legato, staccato, and. Three solo singers are also included. While not compatible with WordBuilder, you get a variety of articulations for each singer:.

WordBuilder lets you type in words in English for the Choirs to sing. For added detail, you can use WordBuilder's internal phonetic language, VoTox. With VoTox you get complete control over each phoneme. Adjust timing, volume, and crossfade to get just the sound you need. The "Learn" function adapts WordBuilder's timing to your playing to give you even greater control over crossfades and complex pronunciation. The "Phrases" pop-up menu includes 28 popular Latin phrases that you can load instantly.

Many choirs sing in Latin so this can be a real time saver for those on a tight deadline. The Phrases menu is completely customizable so users can add their own phrases to the menu for quick and easy access.

Because Voices of the Apocalypse was also recorded with wordbuilding in mind, these new expansion patches also work with Wordbuilder. Men's and Women's FFF vowels ah, ih, uh, oh, oo, eh, ee are included as well as the "Angels" and "Demons" patches from the original Voices of the Apocalypse. The additional VOTA content was recorded at bit resolution with a single mic position. PLAY isn't just a sampler. I compose music for feature films.

I come from a classical background and my music is primarily for the orchestra with additional electronic elements when appropriate. When I compose, I have a full orchestra loaded into samplers.

The cost of it really isn't an issue for me, because when I need to do the orchestral mock-ups I need to have the best sounding, most expressive orchestral instruments I can find. The big issue I have had with orchestral sample libraries in the past has been the way they were recorded. Most of them were close mic'ed and not in a proper environment for an orchestra.

No matter how much reverb you put on those recordings, they never sound good. The sounds are inspiring to play because they sound so good. He most recently conducted the Los Angeles Philharmonic in a series of concerts where he performed music from classic films about Los Angeles. So the chain goes keyboard in - midi1 out - wordbuilder in - wordbuilder out - midi in - sound out. This only works with a multi not with single voices. The reason it can make words is it uses multi voices to create the vowels for words.

Pm me if you have more questions. You can find this step process in detail somewhere online search for it too. What should I do if I just want this to work standalone? The routings all seem confusing to me. Antoni Schonken. Hey guys, I also need some advice. Maybe I'm just missing something that you can clear up. I'm using wordbuilder and symphonic choirs as stand alone at the moment, and I'm connecting them via midi yolk.

Wordbuilder sends to midi yolk port 1 channels , and symphonic choirs is set to receive from midi yolk port 1. The result is usually a uniform 'eeeeeeeeeeeeeeeeeeeeeeee. I must be stupid, but I need someone to tell me where? I use Choirs with Cubase. It takes some massaging, but I can usually get a phrase sounding uncannily real. The only problem is that with Cubase 5 it doesn't export properly dropped syllables and such which has been determined to be a Cubase problem.

The guys at EastWest are working on a new version where the WordBuilder will be directly integrated with the Play engine, which should solve this problem. Can't wait for this! Yeah, I reckon I'm just going to start using it in Cubase now. Who could have thought that would actually be simpler??

It's about time they integrated the two applications; I mean if you're going to pay the money for EWSC, chances are you want your choir to sing words? Top Mentioned Manufacturers. Facebook Twitter Reddit LinkedIn. Subscribe to our Newsletter. By using this site, you agree to our use of cookies. Code by Port Forward. Hosted by Nimbus Hosting. Connect with Facebook. Blazinghammer 28th July Mytek Pro Tools LE hubercraft.